Sandi Haber FIFIELD: Walking Through the World (Charta 2009)
In this dreamy first monograph on photographer Sandi Haber Fifield, the artist culls through her image bank as we scan our imaginations, according to essayist Tom O'Connor, "following lines of thought that are rarely linear, exploring connections and chasing memories, drawing on books read, films seen, meals shared, startling flashes of insight and mundane walks with the dog..." Fifield's landscapes and surreptitious portraits draw in and out of focus, lulling the viewer with their gentle but pure colors and always the sense of time passing. A view of a snowy landscape passing by the car window; a glimpse of a perfect day caught in the gap between a set of drawn curtains; the back of a young redhead's neck; and an idyllic suburban yard blurred almost to abstraction by a window screen are just a few of the images captured here.
Sandi Haber Fifield’s photographs have been collected by the MoMA, New York, the Art Institute of Chicago and the Los Angeles County Museum of Art.
Text by Arthur Ollman and Tom O’Connor
12 x 9 1/2 inches
96 pages
In this dreamy first monograph on photographer Sandi Haber Fifield, the artist culls through her image bank as we scan our imaginations, according to essayist Tom O'Connor, "following lines of thought that are rarely linear, exploring connections and chasing memories, drawing on books read, films seen, meals shared, startling flashes of insight and mundane walks with the dog..." Fifield's landscapes and surreptitious portraits draw in and out of focus, lulling the viewer with their gentle but pure colors and always the sense of time passing. A view of a snowy landscape passing by the car window; a glimpse of a perfect day caught in the gap between a set of drawn curtains; the back of a young redhead's neck; and an idyllic suburban yard blurred almost to abstraction by a window screen are just a few of the images captured here.
Sandi Haber Fifield’s photographs have been collected by the MoMA, New York, the Art Institute of Chicago and the Los Angeles County Museum of Art.
Text by Arthur Ollman and Tom O’Connor
12 x 9 1/2 inches
96 pages
In this dreamy first monograph on photographer Sandi Haber Fifield, the artist culls through her image bank as we scan our imaginations, according to essayist Tom O'Connor, "following lines of thought that are rarely linear, exploring connections and chasing memories, drawing on books read, films seen, meals shared, startling flashes of insight and mundane walks with the dog..." Fifield's landscapes and surreptitious portraits draw in and out of focus, lulling the viewer with their gentle but pure colors and always the sense of time passing. A view of a snowy landscape passing by the car window; a glimpse of a perfect day caught in the gap between a set of drawn curtains; the back of a young redhead's neck; and an idyllic suburban yard blurred almost to abstraction by a window screen are just a few of the images captured here.
Sandi Haber Fifield’s photographs have been collected by the MoMA, New York, the Art Institute of Chicago and the Los Angeles County Museum of Art.
Text by Arthur Ollman and Tom O’Connor
12 x 9 1/2 inches
96 pages